I see, so just number and models, inside all the same.... lolOne with isf mode the other non isf, allows for 20 pt grayscale?Does it do it like the BenQ ? With isf mode they have anamorphic options, allows for hdmi equaliser , so on?I’m really puzzled why these needs to be locked? A custom installer’s milking money options from customers ?I seriously don’t see how enabling anamorphic view or isf mode is gonna cause any hardware equipment failure I mean it’s fair to pay the custom installers for their calibration services, time spent, Using meters to measure etc, but the question is why LOCK these features ?
That’s about 3.3k converted, very good in HDR mode ? Or just 1080p SDR material good?If I ever go into PJ purchase next time, first thing I’ll zoom in to the tone mapping quality for HDR material
List price in Singapore is $4,499
From Projector CentralAnother sister product, the Epson Pro Cinema 6050UB priced at $3,999, is available for sale within the custom integrator channel and is identical in most respects to the HC 5050UB except for a black instead of white casing and other subtle differences. It adds lockable ISF calibration modes for installers and an extra display setting for use with an anamorphic lens. The 6050UB also enjoys a slightly higher rated contrast ratio—1.2 million:1 vs 1 million:1 for the consumer models—the result of Epson cherry-picking the highest performing units off the production line and steering them to the commercial channel. A three-year limited warranty adds an extra year compared with the 5050UB and 5050UBe consumer models. Finally, the 6050UB is packaged with a ceiling mount, cable cover, and an extra replacement lamp, accounting for the bulk of the $1,000 price differential.
The 9400 HDR performance is good. It has the lumen horsepower. I’m using the previous model, Tw8300 and HDR is already very good. Epson colour brightness is also great which is one of its selling feature.
Tw8300 wireless
It’s 3 years. Sent from my iPhone using Tapatalk